Single Application

Unlike QTAKE 1.4, where each version (HDx1, HDx2, HDx4, …) was a different application bundle (executable), QTAKE 1.5 is a single app. Switching between single, dual, four, and eight cameras and 4K mode is now done inside the application. Long-click the QUIT button to open the version dialog:

After selecting the required version, click the CLOSE button to restart QTAKE application using the new configuration. In addition to the number of cameras and 4K mode, two preferences are dependent on the version selected:

Two Boards For Dual IO = YES
Constant Playout Mode = YES
You can find more details about these preferences in the Simultaneous SDI Input & Output section.

QTAKE Live

Version dialog contains the STREAM ONLY option that turns QTAKE software into QTAKE Live mode. In this mode, recording, playback, editing, compositing, and all other video-assist-related features are turned off. QTAKE Live is designed to offer a simplified interface and more affordable licensing for productions that require only local or cloud streaming.

See QTAKE Live Modules and Common Modules sections to see what licenses are available for QTAKE Live.

HELP

Help screen is used to display QTAKE manual directly inside the application.
Press the HELP button to scale down QTAKE interface and load the User Guide. Press the HELP button again to close it. Help screen will allow you to browse the manual using PREVIOUS and NEXT rounded buttons at the bottom of the page that will jump through the sections. Top rounded button will show you your current position in the document. Clicking this button will open the Table Of Contents and allow you to jump directly to desired section.

Turn on the UI MODE to automatically highlight part of the manual that explains the currently clicked button in the QTAKE user interface. Use the right click (or left click and drag the cursor out of the button area) if you want only help highlighted without activating the primary function of the button.

FILE

This is the initial room, where you create users and projects, adjust system settings and import/export files. The keyboard shortcut is Shift-1.

SHOOT

This room is used to record and play back clips, enter clip data, and adjust various display options. The keyboard shortcut is Shift-2.

LIST TOOLBAR

At the bottom of the list, you will find buttons that provide additional functionality to the list of clips.

FUNCTION

You can perform additional tasks on a selection of clips. The following functions are currently available.

SHOW IN FINDER

Use this FUNCTION when you need to make a quick copy of selected clips to a 3rd party application. This is not a recommended way of exporting media files, because it doesn’t include clip metadata, but some information can be smuggled inside filenames. Since QTAKE doesn’t use human-readable filenames for its internal media, an additional step is necessary to show media files in a single Finder folder.

First, you need to select what type of media you want to reveal (Recorded, Proxy, RAW,…) and then select what FILENAME TEMPLATE should be used to generate filenames. If none of the pre-defined templates works for you, you can create your own by clicking the EDIT button.

In EDIT mode, you can define how the FILE name will look like and you can define directory structure, based on different metadata. For example, hard links to clips with a matching scene and take are stored in separate folders with a filename consisting of ” Camera Media Filename.FileID “ would be defined as in the picture above. In this example, FileID was added to create unique file names, but it can happen that based on the criteria selected, this function would create duplicated Filenames for different clips. In this case, QTAKE will give information in the main Show in Finder window and also a warning that SHOW IN FINDER will create duplicated file names if you confirm the selection by clicking on SHOW IN FINDER button. If you decide to continue anyway, an incremented suffix will be added automatically at the end of each duplicated name.

SHOW IN FINDER operates differently based on MEDIA LOCATION. For files stored internally, the Filename template will be used to create hard links to media files in a new folder. Press the SHOW IN FINDER button and QTAKE will hide and a finder window with an appropriate new folder will be displayed.

On the other hand for files stored externally finder will open selected folders to reveal the media files.

MOVE TO TRASH

This function will move clips to the trash bin by pressing the FUNCTION button and selecting MOVE TO TRASH. This will only move selected media files to the trash. You can either PUT BACK FROM TRASH or PERMANENTLY DELETE media files from the storage. This operation cannot be undone.

Note that by permanently deleting media files from QTAKE you will not free up the disk space, as files are moved to macOS Bin. To free up the disk space, you have to empty Bin.

RELINK

Relink will try to find link media files that have changed their location. You do not have to select a precise location as QTAKE will be searching also through all subfolders.

CREATE SCREENSHOTS

Use this function to generate screenshots for all selected clips using the poster frame.

CREATE THUMBNAILS

Use this function to generate thumbnails for all selected clips using the poster frame. This function will create both clean and processed thumbnails.

BINS

The BINS function will open a dialog that will show you all created bins and a number of clips inside those bins that match the current selection of clips. Here you can add selected clips to selected bins or remove them.

PDF REPORT

This function lets you create a PDF report using selected clips the same way as using PDF Report.

SEND TO SEQUENCE

Selected clips will be sent to sequence in the order they were selected and QTAKE will switch to the EDIT room.

RENDER PROXY

Use this function to render proxy media for selected clips. Project settings will be used to set up encoder resolution and quality.
QTAKE storage is limited to one media file for the selected media type per clip. If you would use this function multiple times on a clip, QTKAE will keep only the most recent one.

TRANSCODE TO PRORES

Proxy media can’t be played back with a variable frame-rate. To do so, you need to transcode it to the Apple ProRes codec.

EXPORT TO AVID ALE

This function will create an ALE file for selected clips using the selected ALE Template.

EXPORT LOOKS

Exporting color grading to 3rd party apps. You can export CDLs and LUTs used on selected clips. Optionally, CDLs can be exported as CCC.

EXPORT QTAKE XML

Export selected clips to QTAKE XML format which contains complete metadata. Media files of the selected type can be exported in addition to XML.

EXPORT TO FILE

This function is used to export clips using the Pipeline.
Click the EXPORT TO FILE button to export multiple takes to iPhone/iPod or Apple TV compatible .m4v format. If you choose to export a file to QT Movie, you can add LUT and OSD to the video frames. Press the BACKGROUND button to start the export in the background. Export to file uses IN and OUT marks to define the export range of each clip.

EDIT CLIP DATA

In case you are not using the META sidebar, you can use this function to edit multi-clip metadata values in a standalone window. Press the SELECT button to enable clip selection. Select the clip, press the FUNCTION button, and then select the EDIT CLIP DATA option.

EDITING CLIP DATA FOR MULTIPLE CLIPS

Press the SELECT button to enable clip selection. Select the takes you want to edit, then click the FUNCTION button and EDIT CLIP DATA option. A dialog similar to the EDIT CLIP DATA dialog will appear but with each element blanked out. When editing the TAKE attribute a secondary option called AUTO-INCREMENT TAKE will appear. To number your takes sequentially select YES. Note that the order you selected the files is the order they will be numbered.

MARK AS REFERENCE

Use this function to quickly mark selected clips as a reference. If selected clips contain reference clips, an additional function will be shown allowing you to unmark clips as a reference.

PUT BACK FROM TRASH

This function is available only in TRASH mode. Use it to put back clips that were accidentally moved into the trash.

PERMANENTLY DELETE

This function is available only in TRASH mode. Use it to permanently delete clips and all associated files.

CLIP AND PROJECT DATA

The metadata is divided into categories called GROUPS, they can be collapsed to allow you to fit just the relevant information into a single list. When using QTAKE Server, each group has separate permissions, so the admin can control metadata access per user role.

In addition to clip metadata, the META sidebar allows you to edit project metadata using the PROJECT tab. This part contains project and crew, metadata groups.

SOURCE

The SOURCE column is used to set what source will provide value for each metadata field. If set to AUTO, the latest value will be stored, regardless of the source.

Following is the list of possible metadata sources:

• Auto
• User
• SDI Ancillary Data
• MetaCoder
• ScreenPort SDI
• Ambient Master Lockit
• Motion Control
• Motion Tracker
• Stereoscopic Rig

SPAN

Copying of metadata field values to the next take is controlled by the SPAN column. If the span is set to SHOT, the corresponding field value is copied to the next take only if the CAMERA, SCENE, and SHOT remain the same. If the span is set to SCENE, the metadata value is copied to the next take until the SCENE changes. EPISODE means the value will remain the same throughout the whole episode.

SYNC

Copying of metadata field values between cameras (Views) is controlled by the SYNC column. When set, the value from the active View is copied to all synced Views, based on the COPY LIVE METADATA option. This can be set by long clicking the REC SYNC, CLIP SYNC, or PLAY SYNC buttons in the SYNC SETUP window.

RANGES

Each clip can have multiple groups of ranges, where each group can contain a text note or a freehand drawing. For example, one group can be used to select parts of the clip that represent actions, while another group can be used to set the ranges that will be used in the sequence or composite. Ranges from a single group can not overlap.

You can expand any group to show all ranges it contains. You can set the active View playhead to start at any range by clicking its row. The checkmark displayed on the left side of each row is used to hide the respective range in the time slider. The SHARE button is used to share the group with other users connected to the current QTAKE project.

Ranges are not limited to QTAKE operator. When used in combination with QTAKE Server, each authorized user can set his own ranges and share them at will. For example, VFX Supervisor can use QTAKE Monitor to mark the range that needs special treatment in the post-production.

FILE Room

File room is used to set up the project, import or export files, and access various settings needed for your work environment.

AUTO-LOAD

When starting the application, you can use the auto-load feature to automatically load the last user and project. To use this set the following preference:

AutoLoad Last Project = YES

STORAGE STRUCTURE

This section provides insight into how QTAKE stores recorded and imported media files, thumbnails, and other internal files.

QTAKE Storage Folder

Since version 1.5 QTAKE uses new file storage based on unique filenames, compatible with QTAKE Server. The main purpose of this system is to provide the most robust way of linking a database to files, especially in the new, distributed environment, where files can be accessed by the asynchronous upload or download process.

The main file storage folder is called “QTAKE Storage” and it resides in the root of the volume selected in the PROJECT STORAGE field. You should never touch the contents of this folder to avoid breaking the database links or QTAKE Server synchronization.

QTAKE Projects Folder

In addition to the main file storage folder, there is additional “QTAKE Projects” folder that contains folders such as FINDER, EXPORT, or SCREENSHOTS, which serves as an output location for specific FUNCTIONs.

Additionally, QTAKE will automatically create hard links with human-readable filenames to media files inside the MEDIA folder, for compatibility purposes. 3rd party tools that need automatic access to QTAKE media files can use these hard links.

The following filename scheme is used for hard links: [SCENE_SHOT_TAKE_CAMERA] SOURCE-CLIP-INPUT

Automatic hard links inside the QTAKE Projects folder will not have their filenames updated after the clip metadata change.

Copy clips to 3rd party apps

In case you need to copy QTAKE media files to external storage using the current metadata values, you should use the SHOW IN FINDER function. Typical use is copying media files for the editor or director.

Spanning multiple volumes

In case your file storage gets full, you can simply attach new storage to your system and select a new volume using the PROJECT STORAGE field. The old volume will still be used to access old files.

Never try to move or delete files inside QTAKE Storage manually. If you need to free up drive space, delete clips inside the QTAKE app and empty TRASH in the LIST. Afterward, go to macOS Bin and delete media files from the macOS Bin as well.

UPLOAD TO QTAKE SERVER

When you click the UPLOAD button in the OPEN PROJECT window, you will be presented with the following dialog prompting you to select destination QTAKE Server. Usually, this will be the instance of the server running on your local machine.

After clicking OK, your project upload will have to be approved by the administrator of the selected QTAKE Server instance.

DOWNLOAD FROM QTAKE SERVER

Sometimes, you will not be the one who is creating the QTAKE project. The most common scenario is the 2nd unit QTAKE system, which is deployed after the shooting has already started. In this case, you should use the REMOTE tab of the OPEN PROJECT window to select an existing project residing on the server and click the DOWNLOAD button to download the project to your QTAKE.

If you don’t see a specific project listed in the table, ask the QTAKE Server administrator to send you the project link. Double-clicking the link will add this project to the list of remote projects and allow you to download it.

OPEN LINK

QTAKE supports QTAKE, QTAKE Server, and QTAKE Monitor invitation links for local network and Cloud operation. If you do not see the desired project in the Project list or you do not see the stream in OPEN PROJECT -> INPUT SOURCE -> STREAM, you can request an invitation link from the QTAKE operator. Afterward, you can either click on the link or you can copy the link and paste it into OPEN PROJECT -> SERVERS tab -> OPEN LINK.

CAMERA METADATA COMPARISON TABLE

This is a comparison table detailing what embedded metadata QTAKE can read from various cameras.

* BMD VIDEO CARDS METADATA
* Blackmagic Design video cards will only receive SDI metadata when QTAKE is set to 10-bit capture mode.

FULL RANGE VIDEO

SDI video usually contains image data encoded in YCbCr color space. QTAKE converts the image into RGB color space to perform GPU-based processing. Standard YCbCr conversion uses SMPTE levels, which means that the legal range YCbCr will be converted to full range RGB. However, some cameras use full-range YCbCr to store the higher luminance range. QTAKE supports conversion to RGB using full range YCbCr to avoid clipping of super-blacks and super-whites. This is controlled using the following preference:

Full Range Video = NO

When using FULL RANGE VIDEO preference, your video card output and QOD+ will be automatically set to match the input, but if you are using 3rd party GPU to SDI converters, you may need to set the correct video range using the following preference:

Legal Range GPU Output = NO

Full-range video processing is slower. Use it only in case your signal source requires the processing of super-black and super-white pixel values.

DRAG AND DROP IMPORT AND LINK

Both LINK and IMPORT can be performed by hiding QTAKE and dragging the files onto the QTAKE dock icon. In addition to QuickTime movies, you can import still images, audio files, and CDL color corrections. When dragging a media file to the QTAKE dock icon the DRAG AND DROP window will appear, letting you set options such as FILENAME PARSING, STILL IMAGE SCALING, STILL IMAGE DURATION. Importing a still image can be useful for reference frames, logos, or background images for VFX shots.

DISK SELECTION

QTAKE can mark imported files with a specific CAMERA LETTER by clicking SELECT DISK and specifying the desired DISK in the DISK LETTER input box. Selecting AUTOMATIC will assign a disk letter according to the filename parsing method.

FILENAME PARSING

When using drag-and-drop import QTAKE can extract metadata from the filename of the imported material but you have to select the correct parsing filter.

Some external recorders can read Camera Media Filename and rename files accordingly. When importing files that are named by camera filename use the appropriate camera import filter even if they were recorded on one of the devices in the list.

NONE The NONE filter will mark the imported clips as belonging to a scene called Import.

QTAKE The QTAKE filter uses the native QTAKE naming convention. Files will be organized in the same way as they were created. Scene_Shot_Take-Sbtk_CamReel_(Rt)_IDx.mov

RED The RED filter will import media with RED filenames to a scene called RED (magazine number), The Camera position will be used as shot and clip number as take. CamReel_[CLR]Clip_MMDDXX.mov

ALEXA The Alexa filter will import Alexa files to a scene called Alexa (reel number). CamReelCClip_DDMMYY_CamID.mov

KIPRO The Ki Pro filter will use Scene and Take numbers as entered. SCSceneTKTake.mov

PIX The PIX 220 or 240 needs to be set to Reel_Scene_Take naming. QTAKE will then use those values. Reel_Scene_Take.mov

ATOMOS The Atomos filter uses Scene, Shot, and Take numbers. UnitName_SceneNum_ShotNum_TakeNum.mov

CANON Use this parsing template to extract information from Canon media files.

SONY Use this parsing template to extract information from Sony media files.

STEREO 3D

When importing stereoscopic footage, recorded as muxed side by side, set the segmented button to SIDE BY SIDE. Non-muxed footage can be imported as FAKE SIDE BY SIDE. This can be useful when using 2D footage as a background plate for a stereoscopic chroma key.

MULTIVIEW

When importing quad split footage, set this field to QUAD to enable related functionality.

VR 360

When importing virtual reality 360 footage, tag it using EQUIRECTANGULAR or CUBEMAP options to enable correct interpretation by QTAKE.

ORIENTATION

When importing footage captured in portrait mode or upside-down, set this field to 90 CW, 90 CCW, or 180 value.

STILL IMAGES

QTAKE can import various still image formats. On import, the image is converted to a QuickTime movie. Adjust the duration of this movie by entering the desired number of seconds in the STILL DURATION input field. To adjust the scaling of the imported image in relation to the View use the STILL IMAGE SCALING segmented button. QTAKE will preserve the transparency of imported images.

USE FILE META

Set this option to YES to extract metadata from the imported file and insert it into the QTAKE database.

ATTACH TO EXISTING CLIPS

Set this field to YES when importing new media for existing clips. Read more about this in the MATCHER section.

OVERRIDE FILE DATE

When importing new media for existing clips, it is important to use correct data to make matching successful. If CMF is not present in the existing clips, CAMERA, TIMECODE, and DATE information is used instead. QTAKE is using file date if it can’t find embedded metadata inside imported media. However, the file date can be misleading, because usually it is set to the time of transcoding and not the time of recording. Using the OVERRIDE FILE DATE field you can set the correct date of the imported file.

EDIT TEMPLATES

QTAKE comes with two pre-made PDF Report templates. Project Report and Camera Report. To create a new PDF report template first select the report you would like to base your new report on and click DUPLICATE.

The left half of the template editor control what metadata fields are included and the sorting order of the clips in the report. Use the segmented button to choose whether the fields should be added to the page header or the individual clip entries in the report. To add a field select it from the Available Fields list and use the arrow button (>) to add it. When the report is in Flow Layout both the Page Header and the clip entries have a heading and a data section. These are separated by a horizontal line in the Included Fields list.

Drag the field to move it between the data section and the heading. Each field in the Included Fields list also has a drop-down menu to define its relation to the next field. The options are No Space, Slash, Space and New Line.

Fields added to the Page Header will show up in the gray section of the preview. The Page Header will be repeated at the top of each page in the report. The header would normally be populated with fields from the Project Data group but you can optionally add fields from other groups. If fields with multiple values are added the header will show all values separated by commas.

The Sort Order tab lets you control the sorting of clips and the page breaks of the report. Clips in the report are sorted, in order from top to bottom, by the fields in the Included Fields list. There is a horizontal bar dividing the Included Fields list into two sections just like in the Clip and Page Header. Fields added above this line will cause the report to be divided into sections separated by page breaks based on their values.

REPORT LAYOUT

The right half of the template editor contains a preview of the report and controls for the page layout of the report. A segmented button near the top lets you choose between a Flow Layout and a Table Layout for the report. Click TEMPLATE and select the Camera Report for an example of a report in the table layout. You can add the name of the template and the date when the report was generated to the report header by setting Show template title in page header and Show date in page header to YES. Setting Full header on the first page only to YES will remove fields below the horizontal line in the Page Header tab on all pages of the report except for the first.

The bottom row of controls allows you to change the layout of the clip entries. Setting Begin each group on a new line to NO allows for a more compact layout by putting the metadata groups closer together. Use fixed field positions and sizes will make sure the fields stay in the same place in each clip entry by adjusting the size of the field in the report to accommodate the clip with the largest amount of characters in that field. Use full-width clip headers will adjust the thumbnail to allow more information in the header. Skip empty fields will remove fields without data from the report. You can also adjust the thumbnail position and row decoration for the clips.

BROWSE CLIP in the LIST works based on EPISODE, SCENE, SHOT, TAKE metadata. These metadata values have to be unique so the BROWSE CLIP could work as expected. In case there are multiple clips with matching EPISODE, SCENE, SHOT TAKE metadata values ( including empty values ), it is not possible to determine which clip was selected on the MASTER side, so SLAVE will select the first clip with matching EPISODE, SCENE, SHOT, TAKE.

Pressing a GROUP button in the left segmented button will show the 10 PRESETS in that GROUP on the right. Press SETUP to configure your routing, groups, and presets. See the PRESETS AND GROUPS section below.

DEFAULT PORT NUMBERS
AJA Kumo default port: 80
BMD videohub default port: 9990

The LOCK button will lock output to an input. While locked the route is not available for routing.

SHOOT ROOM

This room is used for general video assist work - recording and playback.

RECORD CONTROLS

During the recording process, you can use the following features:

IN & OUT ON THE FLY
During recording, you can set the IN and OUT (I and O keys) points to mark the important part of the clip.

CHAPTERS ON THE FLY
Besides the IN and OUT points you can create CHAPTER MARKS during recording (J key) to help you quickly navigate to the interesting parts of the shot during playback (< and > keys).

SUBCLIPS ON THE FLY
If you press the MAKE SUB button (P key), the subclip is created based on IN and OUT marks. If there is no OUT mark, the subclip range is determined by the IN mark and the current time. After creating the subclip, a new IN mark is set at the end of the subclip range. You can repeat this action to create the subclip for each take of the series. In addition, CHAPTERS are created for each IN and OUT point used to create a subclip.

CREATE THUMBNAIL
Press the THUMB button (U key) to set the current frame as the thumbnail for the recorded clip. If you don’t specify thumbnail time, IN point will be used to generate a thumbnail.

ABORT RECORD
You can abort recording at any time by pressing the ABORT button in the RECORD toolbar. The current clip will be discarded. The keyboard shortcut is Esc.

RECORD MULTI IN & OUT

When shooting a series or multiple actions in a single take, you can use multiple IN and OUT points to mark more than one selection. After pressing IN and OUT points for the first time, this selection is automatically stored and you can set different IN and OUT points.

BIT DEPTH

Video is usually recorded in YCbCr color code. You can choose to record in either 8-bit, 10-bit, or 12-bPit mode. A higher bit depth mode will store video in higher quality, but it also requires more disk space and more processing power.

This is controlled using the preference:

Capture Mode Bit Depth = YES

CODEC

QTAKE records clips in Apple QuickTime file format. You can compress video to various codecs during a recording. Select the codec that best fits your postproduction workflow or make your selection based on space and quality requirements. QTAKE lets you use any of the following codecs: Apple ProRes Proxy, Apple ProRes LT, Apple ProRes, Apple ProRes HQ, Apple ProRes4444, and H.264 or HEVC. The codec that requires the least CPU resources is Apple ProRes Proxy.

TERADEK CUBE Support

QTAKE can record RTSP (Real Time Streaming Protocol) from Teradek CUBE over Wi-Fi, without the need for additional video input hardware. To enable the Teradek CUBEs video input you will need to enter the RTSP address in the PROJECT window. The Teradek CUBE has a bonjour-enabled web interface that is used to set up the device and update its firmware.

Step by step for connecting Teradek CUBE to QTAKE:

1. Connect to the Cubes admin interface. Click the Show All Bookmarks item in the Safari Bookmarks toolbar and select your Cube device from the devices listed under the Bonjour heading. For troubleshooting your connection refer to the Teradek Cube manual.
2. Make sure Teradek Cube is running the latest Firmware. Note that the text on the bottom of the Info > About window in the admin interface should say “Your device firmware is up to date.”
3. Set your Compression profile. Go to Video Setup > Encoder Settings and set it to Baseline.
4. Disable Quickview. You will need to disable Quickview for proper operation of the Teradek Cube in 1080 resolution. Go to Video Setup > Stream Settings, then click on the QuickView Stream tab and set the radio button to disabled.
5. Make note of Cube settings. Write down your Primary (RTSP) address and your Output Resolution from the Dashboard section of the admin interface.
6. Set up QTAKE. Start QTAKE and set the Teradek Cube option to YES in your project window. You will need to enter your Primary stream address and set the video format with the format selector. Refer to the Teradek CUBE manual for more setup information.

CUBE video reception is dependent on Wi-Fi signal strength. Using a router with external antennas can improve performance.

Only hardware that supports VDA decoding of H.264s can use other Profiles than Baseline.

QTAKE uses “LIVE555 Streaming Media” software licensed under LGPL. Live Networks, Inc. http://www.live555.com/

A take can be marked as a REHEARSAL and tagged with REF (for reference), P/T (for partial take), and P/U (for pick-up) in the TAKE window. Takes tagged with REF will automatically show up in the REFERENCE section of the browser.

The TAKE value is automatically incremented if entered in LIVE mode, before or during recording. If RECORD-SYNC is enabled, clip data entered in LIVE mode is automatically copied to other camera clips.

Extended clip data can be accessed in the META sidebar and the DATA toolbar.

UK Slating
You can replace the SHOT field with a SLATE field to conform with UK (European) slating. The SLATE field will auto-increment each time SCENE is changed. Slating system can be changed in the project window SLATING section.

The SHOT value can still be entered in the META sidebar.

CLIP NAMING CONVENTION

Recording, importing, or rendering clips is producing Quicktime movie files encoded with the selected codec. All media files are located in the QTAKE Storage folder on the PROJECT STORAGE volume, using unique, persistent filenames.

Additionally, the /QTAKE Projects/PROJECT_NAME/Media folder on the same volume is used to store screenshots and exported files as well as hard links to your media files. These links can be created using CMF (Camera Media Filename) or pre-defined QTAKE filename structure:

[Scene_Shot_Take_Cam]SourceID-ClipID-InputID.mov

When using CMF, hard links will be named according to corresponding clips on the camera magazine. This only applies to clips that are recorded while QTAKE receives a valid record flag and filename metadata embedded in the SDI output of the camera. Clips that are recorded while the camera is not recording will be named by the standard QTAKE clip naming convention.

IMPORT CLIPS and LINK CLIPS functions can parse multiple types of filenames, select the appropriate import parsing filter in the Import dialog. See IMPORT QT MOVIES for specifics on each parsing filter.

SYNC SETUP

QTAKE will by default synchronize actions across all Views (1+2+3+4) when a sync button such as REC SYNC or CLIP SYNC is enabled. The SYNC SETUP window lets you exclude Views or break down the Views into smaller groups. Long-click one of the sync buttons to enter the SYNC SETUP window. The Views indicated in blue belong to the current sync group. Click one or more of the Views to exclude it from the group.

Views that are excluded from a sync group can be added to their group by closing the SYNC SETUP window, activating the View, and entering the SYNC SETUP window again. The sync buttons will indicate what Views are part of the current group in parentheses under the button title.

Why is the WAVE button inactive?
To use the waveform audio display you will need to set:
Enable Audio Waveform = YES

However you should be aware that enabling audio waveform will increase the performance requirements for the system.

AUDIO INPUT is set in the PROJECT window.

Audio
Some half-duplex video cards have only one audio stream (even though there are 2 video streams inside) you can capture only one audio (which is copied to both A & B clips). The same goes for playback. If you play back both Views, you will hear only the sound of the ACTIVE View.

Audio is embedded into SDI output, both in LIVE and DISK mode

PROS:
Using fully processed SDI playback directly from a video card without DVI TO SDI converters Monitoring unprocessed LIVE feed (zero delay) and processed PLAYBACK on the same wire (no need for SDI switcher)

CONS:
When using a single AJA video card for two channels the inputs need to be genlocked for passthrough to function properly. Inability to monitor processed LIVE feed. Limited compositing capabilities (due to the half-duplex nature of the card) Limited auto-rec (since a half duplex video card cannot read SDI input while in playback)

SIMULTANEOUS SDI INPUT & OUTPUT

QTAKE can use multi-channel video cards to provide simultaneous SDI input and output. Using QTAKE in this way enables processed live output, but it will also add around 4 frames of latency because each frame has to be captured, processed, and sent to monitor over the SDI output.

Some video cards provide full-duplex channels, which means each channel can be used for input and simultaneous output. But all AJA cards are half-duplex, which means QTAKE will use twice as many channels to provide full-duplex functionality. Additionally, all AJA cards are limited to the same format on output, so you need to use one card per camera to provide independent outputs.

See VIDEO CARDS for more details.

To enable 2 cards support, set this preference:

Two Boards For Dual IO = YES

This is an alternative to using DVI outputs converted to SDI, although an additional image processing pipeline will add 2-3 frames of delay compared to DVI output.

To enable simultaneous SDI input and output, set this preference:

Constant Playout Mode = YES

SDI HDR OUTPUT

QTAKE supports High Dynamic Range via AJA, Blackmagic Design, and Deltacast video cards to HDR monitors. HDR signal is automatically detected in both LIVE and DISK modes. If V-OUT is enabled, QTAKE sends the HDR signal automatically to video card output, no additional project setting or preference is required, signal has to be flagged with the correct HDR-compatible color space.

In the MEDIA Menu COLOR SPACE you can switch between HDR-compatible color spaces and supported monitors will reflect the signal change. HDR-compatible color spaces:

• Rec.2020
• Rec.2020 PQ
• Rec.2020 HLG
• P3 D65 PQ
• P3 D65 HLG

QTAKE Preferences

This section describes each of QTAKE’s preferences. Preferences control various aspects of QTAKE operation and are independent of the user or project.

Wait For Vertical Sync GUI
Set this preference to YES to enable synchronizing of video to redraw to vertical refresh of the GUI monitor. Disabling this preference will improve the performance of the graphics card, but it will cause image tearing in the user interface.

GPU Vertical Sync Mode

Set this preference to NO to disable GPU Vertical Sync, AUTO for Automatic Vertical Sync, and FORCE to Force Vertical Sync.

Full Range Video

Set this preference to YES to enable Full Range video processing. The default value (NO) uses SMPTE legal levels, which will clip the super-black and super-white values.

VIDEO BOARD GROUP

Videoboard Manufacturer

If you have multiple video cards from different manufacturers connected you can explicitly state which cards QTAKE should use. The options are AJA, Blackmagic Design, Deltacast, or AUTO (manufacturer will be determined automatically according to first video board found).

Two Boards For Dual IO

Only boards from one manufacturer can be combined in QTAKE. Using the same model of the board is recommended. You will find more information on supported cards and manufacturers in Video Cards section. This preference manages how multiple video boards are configured.

In general, the same board will be configured to use both inputs and outputs if this preference is set to YES. If the preference is set to NO, first board will be used for inputs and second board for outputs.

For example, in case of two AJA Io4K video boards in QTAKE HDx4 version:

• Board #1 - 4 inputs and board #2 - 4 processed outputs if you set the preference to NO.
• Board #1 - 2 inputs with 2 processed outputs and board #2 - 2 inputs with 2 processed outputs, if you set the preference to YES.

• Multi-channel Blackmagic Design boards register in macOS as separate boards per each channel.

Force Board Order

Forces the order of used video boards based on the serial number. This is important in order to keep QTAKE inputs and outputs consistently assigned to same boards after restart of the computer.

Signal Detection Retry

Sometimes it takes longer than one frame for AJA cards to adapt to a new input format. A side effect of this can be corrupted audio. If you experience such issues, set this preference to 25.

Reject Wrong Video Format

Set this to NO to allow the input of a non-compliant signal. Note, however, that this solution should only be considered as a last resort due to its potential for unstable performance. We recommend re-clocking your signal to make it recognized by hardware.

Autorecording Start Threshold

Set this to the number of frames by which you wish to delay the recording start. Can add robustness in bad signal conditions.

Autorecording Stop Threshold

Set this to the number of frames by which you wish to delay the recording stop. Can add robustness in bad signal conditions.

Autorecording Stop Adds SubClip

When using subclips, set to YES to add a subclip at the end of the recording if the camera is set to auto-record.

SDI OUTPUT GROUP

Constant Playout Mode

Set this preference to YES for simultaneous input and output with compatible cards. This mode enables processed live output.

Enable Video Output

Set to YES to enable video outputs. In case this is set to NO, a video board outputs only live passthrough and all other preferences affecting Video Output will be ignored.

Enable TC Output

Set to YES to enable timecode output. This only applies to compatible video cards.

Use Free Genlock For Playback

Set to YES to switch to free Genlock automatically when in DISK mode. This will keep stable SDI output if the camera is disconnected and you have no external reference signal. This setting is ignored when the Constant Playout Mode preference is set to YES.

Clip Based Video Output Format

When mixing various video formats in a single project, you can set this option to YES to enable automatic switching of output video format based on clip resolution and timebase. If set to NO, QTAKE will scale all clips to match the SDI output resolution, however, it will not interpolate FPS to match the output. This setting is ignored when the Constant Playout Mode preference is set to YES.

Optimize PSF Input

Set it to YES to improve performance with PSF format input when using AJA video cards.

LTC Output Source

Sets the source of the analog LTC output based on the video output of the video card.

FILE GROUP

Capture Mode Bit Depth

Set the capture mode to 8bit, 10bit, or 12bit. Setting this preference to 10bit or 12bit will also set the internal processing pipeline to floating point precision.

Audio File Format

Sets the audio recording format. AUTO will set the recording format to match the input audio. 16bit, 24bit, and 32bit will record audio as integers at the selected bit-depth. 32bit Float will record audio as 32bit floating point values.

Ignore External Timecode

Set to YES to override the embedded timecode. The system clock is used instead.

Use Internal ProRes Encoder

Set to YES to handle Apple ProRes encoding using an internal library. In some cases, this may be a bit faster than using an external process.

Import CPD From ProRes

Set to YES to import camera positioning data from imported ProRes files.

ScreenShot File Format

Selects file format for screenshots. Options are JPEG, PNG, BMP, JPEG 2000, GIF, and TIFF.

ScreenShot Compression Quality

Set JPEG compression quality for Screenshots in the range of 1 to 10. The lower number means lower quality. The default value is 10.

ScreenShot Video Range

Set this preference to define a video range of the screenshot images. The following options are available: Auto, Legal, or Full Range.

LUT Interpolation Method

Set this preference to Trilinear (faster), or Tetrahedral (higher quality).

Use RED RAW Clips

This preference enables the usage of RED camera raw files.

PLAYBACK GROUP

PreRoll And PostRoll For PlaySync

Set to YES to enable pre-roll and post-roll for Play Synced clips. This will allow you to play back clips with various duration in sync.

Use Audio For Varispeed

Set to YES to allow vari-speed audio from 50% to 200% clip speed.

Enable Play Sync Auto Mute

QTAKE will mute Views 2-4 when playing back clips with play sync enabled to avoid the same audio playing from multiple Views. Set this to NO to disable this feature.

Set Play Sync Offset By TC

Set to YES if you want QTAKE to determine PLAY SYNC OFFSET using the timecode of the clips.

Enable Caching

Set to YES if you want QTAKE to cache RAW frames for real-time playback.

Cache Size Per Clip MB

Use this preference to set the cache size for RAW playback based on available memory in your system. The default value is 1000.

Min Cache Length SEC

Set the minimal RAW playback cache duration.

RAW Auto Quality

Set to YES if you want QTAKE to determine the quality of RAW debayering to provide real-time playback based on your system performance.

GUI GROUP

Use Film Style Scene Sorting

Set to YES to ignore letters before numbers when sorting Scene names. For example 33, A33, 34.

OSD Speed In FPS

Set to YES if you want to display OSD speed in FPS, instead of percentage.

Imperial Distance Units

Will convert values (such as focus distance) to imperial units.

Logo Opacity

Use this preference to set the NO VIDEO INPUT screen logo opacity. The default value is 0.25.

GUI Background Red / Green / Blue

Set each color channel to a value of 0.0 - 1.0 to set the custom background color. The default value is 0.12 for each channel.

Multiclip Metadata Toolbars Mode

This preference is used to make CLIP, DATA, and CONTROL toolbars work with multi-clip selection.

GUI Screen Blocks Count

Adjusts the number of menu “blocks” on a single horizontal row. The default value is 4 and it can be set to up to 8 to support ultra widescreen displays. This preference will effectively scale down the GUI to fit more content.

GUI Menu Blocks Limit

Adjusts the number of “blocks” the menu bars are allowed to occupy. The rest of the horizontal space will be used by side windows such as the LIST, FX, and META. The default value is 4, it can be set to up to 8.

Ovide Smart Mode

Use the following values if using OVIDE hardware for QTAKE: SmartAssist HD2, SmartAssist 4, SmartAssist Evo 2, and SmartAssist Evo 4.

On Screen Controls

Enables playback control overlay on the Views. The following options are available: Off, Disk only, Live & Disk.

Kiosk Mode

QTAKE runs in kiosk mode by default. Set this preference to NO to disable kiosk mode. This will allow you to Cmd-Tab between running applications or display a window of another application in front of QTAKE UI.

Default Viewer Background

The Viewer background can be set to Black or Clear, by default.

AUTOLOAD GROUP

AutoLoad Last Project

Set to YES to automatically load the user and project after starting QTAKE.

RECORD GROUP

Prevent Media Drive Sleep

Prevent Media Drive Sleep by recording a small file for each specified number of seconds. Set to zero to disable.

Stop Recording On System Slow

Set to NO to allow recording to continue even if QTAKE is dropping frames.

EXTERNAL GROUP

Use Videohub

Set to YES to enable control of the BMD Videohub or AJA Kumo SDI routers.

DIAGNOSTICS GROUP

Report Main Thread Blocking

This preference is used to test the performance of QTAKE and send a report if the user interface is blocked.

Acknowledgements

Portions of QTAKE Software may be using copyrighted 3rd party material. The following list includes the general license agreements that may cover multiple packages, and the agreements specific to those packages.

ACES

Academy Color Encoding System (ACES) software and tools are provided by the Academy under the following terms and conditions: A worldwide, royalty-free, non-exclusive right to copy, modify, create derivatives, and use, in source and binary forms, is hereby granted, subject to acceptance of this license. Copyright © 2015 Academy of Motion Picture Arts and Sciences (A.M.P.A.S.). Portions contributed by others as indicated. All rights reserved. Performance of any of the aforementioned acts indicates acceptance to be bound by the following terms and conditions: Copies of source code, in whole or in part, must retain the above copyright notice, this list of conditions, and the Disclaimer of Warranty. Use in binary form must retain the above copyright notice, this list of conditions, and the Disclaimer of Warranty in the documentation and/or other materials provided with the distribution. Nothing in this license shall be deemed to grant any rights to trademarks, copyrights, patents, trade secrets, or any other intellectual property of A.M.P.A.S. or any contributors, except as expressly stated herein. Neither the name “A.M.P.A.S.” nor the name of any other contributors to this software may be used to endorse or promote products derivative of or based on this software without express prior written permission of A.M.P.A.S. or the contributors, as appropriate. This license shall be construed pursuant to the laws of the State of California, and any disputes related thereto shall be subject to the jurisdiction of the courts therein. Disclaimer of Warranty: THIS SOFTWARE IS PROVIDED BY A.M.P.A.S. AND CONTRIBUTORS “AS IS” AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, AND NON-INFRINGEMENT ARE DISCLAIMED. IN NO EVENT SHALL A.M.P.A.S., OR ANY CONTRIBUTORS OR DISTRIBUTORS, BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, RESITUTIONARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE. WITHOUT LIMITING THE GENERALITY OF THE FOREGOING, THE ACADEMY SPECIFICALLY DISCLAIMS ANY REPRESENTATIONS OR WARRANTIES WHATSOEVER RELATED TO PATENT OR OTHER INTELLECTUAL PROPERTY RIGHTS IN THE ACADEMY COLOR ENCODING SYSTEM, OR APPLICATIONS THEREOF, HELD BY PARTIES OTHER THAN A.M.P.A.S.,WHETHER DISCLOSED OR UNDISCLOSED.

Boost

Boost Software License - Version 1.0 - August 17th, 2003

Permission is hereby granted, free of charge, to any person or organization obtaining a copy of the software and accompanying documentation covered by this license (the “Software”) to use, reproduce, display, distribute, execute, and transmit the Software, and to prepare derivative works of the Software, and to permit third-parties to whom the Software is furnished to do so, all subject to the following:

The copyright notices in the Software and this entire statement, including the above license grant, this restriction and the following disclaimer, must be included in all copies of the Software, in whole or in part, and all derivative works of the Software, unless such copies or derivative works are solely in the form of machine-executable object code generated by a source language processor.

THE SOFTWARE IS PROVIDED “AS IS”, WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, TITLE AND NON-INFRINGEMENT. IN NO EVENT SHALL THE COPYRIGHT HOLDERS OR ANYONE DISTRIBUTING THE SOFTWARE BE LIABLE FOR ANY DAMAGES OR OTHER LIABILITY, WHETHER IN CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.

CocoaAsyncSocket

This library is in the public domain. However, not all organizations are allowed to use such a license. For example, Germany doesn’t recognize the Public Domain and one is not allowed to use libraries under such license (or similar).

Thus, the library is now dual licensed, and one is allowed to choose which license they would like to use.

################################################## License Option #1 : ##################################################

Public Domain

################################################## License Option #2 : ##################################################

Software License Agreement (BSD License)

Copyright (c) 2017, Deusty, LLC All rights reserved.

Redistribution and use of this software in source and binary forms, with or without modification, are permitted provided that the following conditions are met:

• Redistributions of source code must retain the above copyright notice, this list of conditions and the following disclaimer.

• Neither the name of Deusty LLC nor the names of its contributors may be used to endorse or promote products derived from this software without specific prior written permission of Deusty LLC.

THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIBUTORS “AS IS” AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE COPYRIGHT OWNER OR CONTRIBUTORS BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.

CocoaLumberJack

BSD 3-Clause License

Copyright (c) 2010-2022, Deusty, LLC All rights reserved.

Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following conditions are met:

1. Redistributions of source code must retain the above copyright notice, this list of conditions and the following disclaimer.

2. Redistributions in binary form must reproduce the above copyright notice, this list of conditions and the following disclaimer in the documentation and/or other materials provided with the distribution.

3. Neither the name of Deusty nor the names of its contributors may be used to endorse or promote products derived from this software without specific prior written permission of Deusty, LLC.

THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIBUTORS “AS IS” AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE COPYRIGHT HOLDER OR CONTRIBUTORS BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.

###CocoaLUT The MIT License (MIT)

Copyright (c) 2014 Wil Gieseler wil@wilgieseler.com & Greg Cotten greg@gregcotten.com

Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the “Software”), to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions:

The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.

THE SOFTWARE IS PROVIDED “AS IS”, WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.

AppleCoreAudioUtilityClasses

Disclaimer: IMPORTANT: This Apple software is supplied to you by Apple Inc. (“Apple”) in consideration of your agreement to the following terms, and your use, installation, modification or redistribution of this Apple software constitutes acceptance of these terms. If you do not agree with these terms, please do not use, install, modify or redistribute this Apple software.

In consideration of your agreement to abide by the following terms, and subject to these terms, Apple grants you a personal, non-exclusive license, under Apple’s copyrights in this original Apple software (the “Apple Software”), to use, reproduce, modify and redistribute the Apple Software, with or without modifications, in source and/or binary forms; provided that if you redistribute the Apple Software in its entirety and without modifications, you must retain this notice and the following text and disclaimers in all such redistributions of the Apple Software. Neither the name, trademarks, service marks or logos of Apple Inc. may be used to endorse or promote products derived from the Apple Software without specific prior written permission from Apple. Except as expressly stated in this notice, no other rights or licenses, express or implied, are granted by Apple herein, including but not limited to any patent rights that may be infringed by your derivative works or by other works in which the Apple Software may be incorporated.

The Apple Software is provided by Apple on an “AS IS” basis. APPLE MAKES NO WARRANTIES, EXPRESS OR IMPLIED, INCLUDING WITHOUT LIMITATION THE IMPLIED WARRANTIES OF NON-INFRINGEMENT, MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THE APPLE SOFTWARE OR ITS USE AND OPERATION ALONE OR IN COMBINATION WITH YOUR PRODUCTS.

IN NO EVENT SHALL APPLE BE LIABLE FOR ANY SPECIAL, INDIRECT, INCIDENTAL OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) ARISING IN ANY WAY OUT OF THE USE, REPRODUCTION, MODIFICATION AND/OR DISTRIBUTION OF THE APPLE SOFTWARE, HOWEVER CAUSED AND WHETHER UNDER THEORY OF CONTRACT, TORT (INCLUDING NEGLIGENCE), STRICT LIABILITY OR OTHERWISE, EVEN IF APPLE HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.

Copyright (C) 2013 Apple Inc. All Rights Reserved.

GNU LGPL v2.1

Version 2.1, February 1999 Copyright (C) 1991, 1999 Free Software Foundation, Inc. 51 Franklin Street, Fifth Floor, Boston, MA 02110-1301 USA Everyone is permitted to copy and distribute verbatim copies of this license document, but changing it is not allowed.

[This is the first released version of the Lesser GPL. It also counts as the successor of the GNU Library Public License, version 2, hence the version number 2.1.]

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OpenEXR

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ORSerialPort

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peertallk

Copyright (c) 2012 Rasmus Andersson http://rsms.me/

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Sparkle

Copyright (c) 2006-2013 Andy Matuschak. Copyright (c) 2009-2013 Elgato Systems GmbH. Copyright (c) 2011-2014 Kornel Lesiński. Copyright (c) 2015-2017 Mayur Pawashe. Copyright (c) 2014 C.W. Betts. Copyright (c) 2014 Petroules Corporation. Copyright (c) 2014 Big Nerd Ranch. All rights reserved.

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EXTERNAL LICENSES

bspatch.c and bsdiff.c, from bsdiff 4.3 http://www.daemonology.net/bsdiff/: Copyright (c) 2003-2005 Colin Percival.

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STPrivilegedTask

BSD 3-Clause License

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websocket-kit

The MIT License (MIT)

Copyright (c) 2020 Qutheory, LLC

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